It seems like Hanson fans are always talking about how Hanson can make a horrible day better in some capacity, whether it be listening to a song, watching a video, or finding out something new about tour plans. I can't say I ever agree. I enjoy a new FUTY as much as the next person, but when I'm down, something so simple as listening to a song does nothing for my overall mood. It might be a high point of my day, but it's not going to magically make me feel better.
I've been really stressed the past few days. My classes are starting to overlap with big assignments, and I've been writing papers and reading mass amounts constantly with little time left over for myself. I finally made a little time for myself tonight and took the time to watch Strong Enough to Break with the commentary. I've had it for over a week now and never had time until now (honestly I don't have time now either--I should be sleeping).
I'm surprised to say that it legitimately made me feel better. Maybe it was just a welcomed break from all of the work I've been doing, but somehow I feel like watching any old movie wouldn't have done the same. I think it really got me pumped for tour, knowing that I'll see these amazing guys and their music in two weeks. But beyond that, it made me realize that there are bigger problems in the world. I can mope over my homework all I want, but I'll still be very low down on the proverbial totem pole of problems. There's no real point to this post, but this is the first time I've ever felt any real relief from the simple action of watching a video, and I think it's worth noticing.
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September 28, 2009
September 1, 2009
D.C. RSVP & Tour Plans
I RSVPed to the members' event in D.C., bringing my show count to 7 this tour (IF I made it onto the list), and bringing my mileage to a frightening 5,077, all in a car, and mostly all in MY car. And did I mention I'm finishing my last semester of college with a full course load of 6 classes, 2 of which require 50 hours of observation in a high school, and 4 of which are 300-level English courses?This will be interesting. This is by far the craziest thing I have EVER done. Here's to coming out alive and topping it one day. :)
May 21, 2009
Tulsa 2009 Members Event
For the second time in my life, I trekked from South Carolina to Oklahoma to see Hanson. It was a nice walk down memory lane as I returned to the place I first saw Hanson perform live just a little over two years ago.
(na na na na na na, been there before!)
Since my first trip was a last minute decision and I was only there for two days, I got to experience and enjoy a lot more of the things Tulsa has to offer this time around. I left from my house in SC and drove 7 hrs to my friend Whitney's house in Knoxville on Wednesday the 13th. We left around 6:30 AM Thursday morning and headed off to pick up Laura near Nashville, and then we were off. Thirteenish hours later, we ended up in Tulsa. We occupied ourselves with lots of sightseeing and money spending as we waited for our session of the members event to come at 7 PM on May 16th. Here is a list of places we ate/shopped at and did some sightseeing:
Joe Momma's
Sonic
Ida Red
Taco Bueno (x2)
Tally's
Cracker Barrel
The Laughing Wench
Dwelling Spaces
3CG
The Center of the Universe
The Oil Driller
Mayfest
The Oklahoma Welcome Center
And an honorable mention for our attempt to find Utica Square.
I spent entirely too much money, but it was all worth it. Props to Beth for making a wrong turn, ending up at the welcome center, and discovering Tulsa snowglobes!
The show was great despite minor line drama and Whitney's fear that the staff was out to get her (we're still not sure what that was about).
I was in the 3rd session. Here's the setlist:
Carry you There
These Walls
Kiss Me When You Come Home
Make It Through The Day
Use Me Up
Musical Ride
Make It Out Alive
Waiting For This
Never Let Go
Letters In The Mailbox
I Am
Down
Take Our Chances
I had already heard Take Our Chances and Never Let Go, but everything else was new to me, and most of it was new to everyone. I can't wait to get the EP and the final album. Use Me Up has the potential to be my new favorite song. It has Zac singing lead and playing the piano, and I'd probably describe it as one of the most passionate songs I've ever heard. Waiting for This was another good one that involved audience participation as we echoed Taylor by shouting "Shout it out" and "You can't deny it." I can see it being a great song to experience in concert. I was also very excited to hear Letters in the Mailbox, as this was the first and only time it has ever been performed live. Now I've heard all of the songs on the 2008 membership kit performed live.
The guys were really entertaining and talkative between songs, which was another plus. They made more jokes than I can recall, and most of them were genuinely funny. The best moment of the night went something like this, after a brief discussion about how the event was like reality TV, only real:
Isaac: Live, on reality TV! Zac, I hate your guts!
Zac: Ike! I slept with your dog!
Isaac: I'm not sure if I should be angry or throw up. Probably both.
Taylor: Let's ask the dog.
I think this was followed by some ridiculous song Zac made up on the spot called "Teaparty with Frogman," which told a story of how he had wanted some Earl Grey tea but they were out, so he ordered rootbeer instead, which was good because it's full of "ANTIOXIDANTS" (as he belted out in a climactic high note). I really hope there is footage of this and that it will be shared at some point.
In other news...At the walk, Taylor had some funky hair going on. See exhibit A, B, and C: 
My first thought was that Taylor is actually Edward Cullen. (See exhibit D)
My second thought was that, no, he can't be Edward Cullen because that is a clear case of bed head, and Edward Cullen doesn't sleep.
(na na na na na na, been there before!)Joe Momma's
Sonic
Ida Red
Taco Bueno (x2)
Tally's
Cracker Barrel
The Laughing Wench
Dwelling Spaces
3CG
The Center of the Universe
The Oil Driller
Mayfest
The Oklahoma Welcome Center
And an honorable mention for our attempt to find Utica Square.
I spent entirely too much money, but it was all worth it. Props to Beth for making a wrong turn, ending up at the welcome center, and discovering Tulsa snowglobes!
The show was great despite minor line drama and Whitney's fear that the staff was out to get her (we're still not sure what that was about).
I was in the 3rd session. Here's the setlist:
Carry you There
These Walls
Kiss Me When You Come Home
Make It Through The Day
Use Me Up
Musical Ride
Make It Out Alive
Waiting For This
Never Let Go
Letters In The Mailbox
I Am
Down
Take Our Chances
I had already heard Take Our Chances and Never Let Go, but everything else was new to me, and most of it was new to everyone. I can't wait to get the EP and the final album. Use Me Up has the potential to be my new favorite song. It has Zac singing lead and playing the piano, and I'd probably describe it as one of the most passionate songs I've ever heard. Waiting for This
The guys were really entertaining and talkative between songs, which was another plus. They made more jokes than I can recall, and most of them were genuinely funny. The best moment of the night went something like this, after a brief discussion about how the event was like reality TV, only real:
Isaac: Live, on reality TV! Zac, I hate your guts!
Zac: Ike! I slept with your dog!
Isaac: I'm not sure if I should be angry or throw up. Probably both.
Taylor: Let's ask the dog.
I think this was followed by some ridiculous song Zac made up on the spot called "Teaparty with Frogman," which told a story of how he had wanted some Earl Grey tea but they were out, so he ordered rootbeer instead, which was good because it's full of "ANTIOXIDANTS" (as he belted out in a climactic high note). I really hope there is footage of this and that it will be shared at some point.
In other news...At the walk, Taylor had some funky hair going on. See exhibit A, B, and C:
My first thought was that Taylor is actually Edward Cullen. (See exhibit D)
May 20, 2009
Member Event sneak preview blog
Because I'm too tired to write a full review, but don't want to forget some priceless quotes, here are some quotations worth elaborating on later and pondering about until then:
"What, is this a surprise party or something?"
Why yes, yes it was. Further proof of me being a fool and not caring.
"She can see us; she'll know we're here." Holly S.
"Yes, but she doesn't know I have a gun." Holly F.
"I slept with your dog." Zac
"I don't know whether to be angry or throw up. Probably both." Isaac
"Let's ask the dog." Taylor
"ANTIOXIDANTS!" Zac
"Youtuber!" Melissa
"Don't call me a potato." Beth
Edit, because Laura reminded me of something else:
"Turn on Maybelline road" Holly S
"Maybe it's Maybelline." Laura
"...Maybe it's not" Holly
(in response to misreading a sign that said "Maybell," or something to that effect that was not quite "Maybelline")
Ahh, Tulsa.
"What, is this a surprise party or something?"
Why yes, yes it was. Further proof of me being a fool and not caring."She can see us; she'll know we're here." Holly S.
"Yes, but she doesn't know I have a gun." Holly F.
"I slept with your dog." Zac
"I don't know whether to be angry or throw up. Probably both." Isaac
"Let's ask the dog." Taylor
"ANTIOXIDANTS!" Zac
"Youtuber!" Melissa
"Don't call me a potato." Beth
Edit, because Laura reminded me of something else:
"Turn on Maybelline road" Holly S
"Maybe it's Maybelline." Laura
"...Maybe it's not" Holly
(in response to misreading a sign that said "Maybell," or something to that effect that was not quite "Maybelline")
Ahh, Tulsa.
May 7, 2009
Hanson Day/Turning 21
May 5th, 6th, and 7th will always be special to me. I saw Hanson live for the first time on May 5th, 2007 (MONA recording), so it's officially been two years. May 5, 2008 was also the day I met all of my awesome friends that went to the Asheville show--happy 1st anniversary to us! Of course May 6th is Hanson day. I was lucky enough to see Hanson on Hanson Day in my hometown last year, and this year one of my favorite bands (Jack's Mannequin) ended up playing here on May 6th also, so I celebrated by wearing a dorky Hanson tee to a great concert in the same venue I spent the last Hanson Day at. May 7th is lovely because it's my birthday, and this one is even more lovely (and Hanson-y) because it's my 21st. I've got to admit, I listened to Turning 21 on repeat in my car on the way home from the concert, and I ceremonially removed my underage wristband for the last time (yay for no more cover charges!).
And to top all of this awesomeness, this time next week I'll be in Tulsa. Can't wait!
And to top all of this awesomeness, this time next week I'll be in Tulsa. Can't wait!
March 8, 2009
Spring Break/Awakening/Forward: A Digression.
Who/What/When/Where/Why:
I saw Spring Awakening inCleveland
Some background info on stage seating:
Part of the uniqueness that is Spring Awakening can be attributed to the presence of on stage seating. Basically, there are 41 chairs directly on the stage closely situated with 2 rows on stage left, and 3 on stage right. 26 of these seats belong to audience members, and the rest are filled in with the cast (click for a detailed seating chart if you actually care). Instead of leaving the stage during inactive parts (which there are few of to begin with), cast members sit amongst the audience on stage, often providing backup vocals, stomps, and dance moves right from their seats. There are even four ensemble members camouflaged in the seats who appear to be regular audience members, a phenomenon which I’m sure is terrifying to the occasional unsuspecting person seated next to them.
The two times I sat on stage, I sat in AA4 and AA13--downstage left and upstage right--which made for a good mix of perspectives. AA4 is the closest audience seat to the front of the stage, right next to Melchior, the lead, and AA13 is near the back of the stage right next to the piano and right between 2 cast seats..
March 6th, 7:30 pm, onstage seat AA4:
I was incredibly excited to finally be in my seat next to Melchior—a feat that only cost me flight and hotel expenses as well as the whole mistaken NYC ticket fiasco. I originally became interested in SA because Kyle Riabko plays the lead role of Melchior, and I’m a fan of his music. Contrary to what half of my friends and family believe, though, I did not go all the way toCleveland
After seeing both Melchiors, I can now say that both brought something different to the character, and I feel like some of Matt’s acting choices were stronger than Kyle’s, but Kyle wins for vocal performance.
Being so close to the action was a bit overwhelming because it was hard to focus on anything other than what was directly in front of me. So in a scene where 12 people are jumping around crazily, it was hard to watch anything other than the one person jumping closest to me, for instance. This would be a downside had I only seen the show once, but it made my 3 visits all the more exciting.
March 7th, 1:30 pm, onstage seat AA13
Though I originally thought AA4 to be the best seat on stage, I’ve definitely changed my mind. I absolutely LOVED sitting in AA13. It was near the back, but was surrounded by characters the whole time. There were only 3 seats together in the group of seats I was in, consisting of me between 2 cast members and directly beside the piano which is a focal point a few times in the show. Because the cast members constantly move around and change positions, I had the pleasure of sitting directly next to about 4 different cast members in addition to at least 2 others who sit at the piano in different scenes, and let’s not forget the occasional jumping and even crawling right at my feet. During the end of one song, someone jumped so close to me that my hair blew straight back as if blown by a fan (and if you know me, you know I have a mass of hair that would take a lot to move).
Also, just as a side note, there's a Latin class scene where six guys are sitting in desks, supposedly copying Latin words on slates. I always assumed they just scribbled nonsense, but from my perspective I could see 5 out of the 6 slates clearly. 4 of the 5 I could see were actually writing in Latin! Of course good old Kyle was just scribbling, but he was also speaking while no one else was, so that may be why.
My favorite scene
I saw Spring Awakening in
Some background info on stage seating:
Part of the uniqueness that is Spring Awakening can be attributed to the presence of on stage seating. Basically, there are 41 chairs directly on the stage closely situated with 2 rows on stage left, and 3 on stage right. 26 of these seats belong to audience members, and the rest are filled in with the cast (click for a detailed seating chart if you actually care). Instead of leaving the stage during inactive parts (which there are few of to begin with), cast members sit amongst the audience on stage, often providing backup vocals, stomps, and dance moves right from their seats. There are even four ensemble members camouflaged in the seats who appear to be regular audience members, a phenomenon which I’m sure is terrifying to the occasional unsuspecting person seated next to them.
The two times I sat on stage, I sat in AA4 and AA13--downstage left and upstage right--which made for a good mix of perspectives. AA4 is the closest audience seat to the front of the stage, right next to Melchior, the lead, and AA13 is near the back of the stage right next to the piano and right between 2 cast seats..
March 6th, 7:30 pm, onstage seat AA4:
I was incredibly excited to finally be in my seat next to Melchior—a feat that only cost me flight and hotel expenses as well as the whole mistaken NYC ticket fiasco. I originally became interested in SA because Kyle Riabko plays the lead role of Melchior, and I’m a fan of his music. Contrary to what half of my friends and family believe, though, I did not go all the way to
After seeing both Melchiors, I can now say that both brought something different to the character, and I feel like some of Matt’s acting choices were stronger than Kyle’s, but Kyle wins for vocal performance.
Being so close to the action was a bit overwhelming because it was hard to focus on anything other than what was directly in front of me. So in a scene where 12 people are jumping around crazily, it was hard to watch anything other than the one person jumping closest to me, for instance. This would be a downside had I only seen the show once, but it made my 3 visits all the more exciting.
March 7th, 1:30 pm, onstage seat AA13
Though I originally thought AA4 to be the best seat on stage, I’ve definitely changed my mind. I absolutely LOVED sitting in AA13. It was near the back, but was surrounded by characters the whole time. There were only 3 seats together in the group of seats I was in, consisting of me between 2 cast members and directly beside the piano which is a focal point a few times in the show. Because the cast members constantly move around and change positions, I had the pleasure of sitting directly next to about 4 different cast members in addition to at least 2 others who sit at the piano in different scenes, and let’s not forget the occasional jumping and even crawling right at my feet. During the end of one song, someone jumped so close to me that my hair blew straight back as if blown by a fan (and if you know me, you know I have a mass of hair that would take a lot to move).
Also, just as a side note, there's a Latin class scene where six guys are sitting in desks, supposedly copying Latin words on slates. I always assumed they just scribbled nonsense, but from my perspective I could see 5 out of the 6 slates clearly. 4 of the 5 I could see were actually writing in Latin! Of course good old Kyle was just scribbling, but he was also speaking while no one else was, so that may be why.
My favorite scene
This has to be my favorite experience from the whole trip. During a song called “My Junk,” there is a scene where the teenage boy, Georg, (apparently pronounced “Gay-org” rather than “George” as my non-German mind had been reading it) more or less lives out his fantasy with his female piano teacher. The song begins with his conservatively dressed teacher ripping open her dress to reveal a corset as he turns his chair around, throws her into his lap, and blissfully buries his face in her breasts (again with the nice alliteration). For the rest of the song, another character is the main focus, yet Georg and his piano teacher are still going at it the entire time in the background though they don’t claim the spotlight. Because of where I had been sitting the night before, I had paid little attention to this part. This night, though, I was quite literally inches from the action. As the teacher threw her head back in delight and heels in the air, I cautiously watched my knees for fear of being kicked. I was quite surprised to realize that innocent little Georg was doing more than putting his face in her cleavage—he was biting, licking, and spanking her in rhythm to the drums (I was especially surprised that he was really biting and licking her since I doubt the audience off of the stage could even tell). I had to fight to control my laughter long after the scene was over. And on a sidenote, Georg is played by Matt Shingledecker, the actor who played Melchior the night before. Poor guy probably thought I was stalking him.
The slight awkwardness of AA13
The only awkward part of being in that particular seat was its proximity to the backstage door, so just about every character had to go between me and the piano any time they headed backstage (of course this was a definite plus, too). Due to the combination of the backstage door and actress seated to my left who jumped up quite frequently, I couldn't cross my legs for fear of tripping someone. This awkwardness was heightened at the end when the characters all run backstage quickly, then run back out, then a few go backstage and a few more come back out...I forget the exact sequence, but there's a lot of running in and out of the backstage area for applause. What makes this worse at the end is the standing ovation. With everyone around me standing and clapping, it would look as though I didn’t enjoy the show if I remained seated to stay out of the way, yet standing and clapping would put me even more in the way than I already felt. In the end I stood and clapped but pressed as close to the chair as I could and had to clap with my hands as close to my body as possible. I probably looked ridiculous, but I didn't trip anyone, so mission complete.
The only awkward part of being in that particular seat was its proximity to the backstage door, so just about every character had to go between me and the piano any time they headed backstage (of course this was a definite plus, too). Due to the combination of the backstage door and actress seated to my left who jumped up quite frequently, I couldn't cross my legs for fear of tripping someone. This awkwardness was heightened at the end when the characters all run backstage quickly, then run back out, then a few go backstage and a few more come back out...I forget the exact sequence, but there's a lot of running in and out of the backstage area for applause. What makes this worse at the end is the standing ovation. With everyone around me standing and clapping, it would look as though I didn’t enjoy the show if I remained seated to stay out of the way, yet standing and clapping would put me even more in the way than I already felt. In the end I stood and clapped but pressed as close to the chair as I could and had to clap with my hands as close to my body as possible. I probably looked ridiculous, but I didn't trip anyone, so mission complete.
A few mischievous things I witnessed (both shows)
One of the cool parts of being on stage was being able to witness a few instances where the actors broke character and did some entertaining things undetected by most people. The first thing I witnessed was during the first show when I was in AA4. I was opposite one of the stage doors, and could see inside a bit. At one point I looked over and noticed none other than the missing Mr. Riabko who I was not sitting beside. A little later, I looked back again to see if he was still there, and caught a glimpse of his girlfriend (who is also in the play) running up to him with a hug and a kiss. I know he hadn't been on as Melchior for the past few days, so I think maybe he had been away and I witnessed a tiny reunion. That same show, I noticed Ben Moss, one of the actors (and quite possibly one of the most adorable people on the planet), grinning wildly as his spotlight went out, then quickly switching to a solemn look as it came back on a second later.
I'm not sure if I should blame Kyle's presence or where I was sitting, but I saw a lot more out of character actions the next day. At one point Kyle was walking directly towards me with his side profile facing the audience, and I watched as he slyly used the eye that was away from the audience to triple wink at someone behind me (probably Ben Moss, who was sitting behind me). Later there's a song where Kyle is in the center of the stage facing the audience, and everyone else is crouched down on stairs with their backs to the audience facing Kyle. I noticed his real-life girlfriend smirking at him, but thankfully he didn't visibly respond. I feel like there was another time when I noticed the two of them smiling at each other when they weren't in the spotlight as well. Another time, Kyle was near the back of the stage with his back turned on the audience, so I was probably one of maybe 3 people who could see his face at all, and I realized he was doing some kind of odd mouth exercise where he was opening and closing his jaw really wide. Also, right before my favorite scene that I already mentioned, Georg/Matt turned around to the piano teacher (who was sitting next to me) and winked at her as if to say “are you ready for this?”
Random and unrelated, yet still entertaining
After leaving the stage door and getting autographs on my first night, I started to walk back to my hotel and had to pass by the main entrance of the theatre again. As I passed by, Ben Moss (no idea why I keep using his last name but not Kyle’s or Matt’s…but we’ll go with it) came out of the door with a huge suitcase. The entertaining part is that it was one of those wheeled suitcases, yet he was carrying it by hand instead of rolling it on the sidewalk. I walked behind him for a bit (not stalking, just apparently going the same direction), and he probably walked a good half of a block before finally putting the thing down and rolling it. I was tempted to say something sarcastic to him, but didn't want to be the creepy girl who strikes up a conversation by teasing him about his suitcase. The verdict is still out on whether he’s really strong or just dumb.
March 7th, 7:30 pm, row Y seat 301 in balcony
Not much to say here. I requested one of the few $10 cheap seats in the back of the balcony and bought the ticket right before the 1:30 show on the same day, so I really expected to be shoved away in a corner somewhere. Seat 301 in Row Y turned out to be dead center in the last row of the balcony. The central location was nice, but honestly I couldn’t see any facial expressions at all, and had I seen the show for the first time from this location, I would have been terribly lost. Still, I’m glad I saw it from this seat because there were a lot of amazing lighting effects I had completely missed from sitting on stage. Plus I kept hearing people whispering about “what all of those people are doing sitting on stage” and got to set them straight.
My view from the balcony. I've got to admit, it was pretty neat having like 75 stairs framing the way to the center of the stage in front of me.
One of the cool parts of being on stage was being able to witness a few instances where the actors broke character and did some entertaining things undetected by most people. The first thing I witnessed was during the first show when I was in AA4. I was opposite one of the stage doors, and could see inside a bit. At one point I looked over and noticed none other than the missing Mr. Riabko who I was not sitting beside. A little later, I looked back again to see if he was still there, and caught a glimpse of his girlfriend (who is also in the play) running up to him with a hug and a kiss. I know he hadn't been on as Melchior for the past few days, so I think maybe he had been away and I witnessed a tiny reunion. That same show, I noticed Ben Moss, one of the actors (and quite possibly one of the most adorable people on the planet), grinning wildly as his spotlight went out, then quickly switching to a solemn look as it came back on a second later.
I'm not sure if I should blame Kyle's presence or where I was sitting, but I saw a lot more out of character actions the next day. At one point Kyle was walking directly towards me with his side profile facing the audience, and I watched as he slyly used the eye that was away from the audience to triple wink at someone behind me (probably Ben Moss, who was sitting behind me). Later there's a song where Kyle is in the center of the stage facing the audience, and everyone else is crouched down on stairs with their backs to the audience facing Kyle. I noticed his real-life girlfriend smirking at him, but thankfully he didn't visibly respond. I feel like there was another time when I noticed the two of them smiling at each other when they weren't in the spotlight as well. Another time, Kyle was near the back of the stage with his back turned on the audience, so I was probably one of maybe 3 people who could see his face at all, and I realized he was doing some kind of odd mouth exercise where he was opening and closing his jaw really wide. Also, right before my favorite scene that I already mentioned, Georg/Matt turned around to the piano teacher (who was sitting next to me) and winked at her as if to say “are you ready for this?”
Random and unrelated, yet still entertaining
After leaving the stage door and getting autographs on my first night, I started to walk back to my hotel and had to pass by the main entrance of the theatre again. As I passed by, Ben Moss (no idea why I keep using his last name but not Kyle’s or Matt’s…but we’ll go with it) came out of the door with a huge suitcase. The entertaining part is that it was one of those wheeled suitcases, yet he was carrying it by hand instead of rolling it on the sidewalk. I walked behind him for a bit (not stalking, just apparently going the same direction), and he probably walked a good half of a block before finally putting the thing down and rolling it. I was tempted to say something sarcastic to him, but didn't want to be the creepy girl who strikes up a conversation by teasing him about his suitcase. The verdict is still out on whether he’s really strong or just dumb.
March 7th, 7:30 pm, row Y seat 301 in balcony
Not much to say here. I requested one of the few $10 cheap seats in the back of the balcony and bought the ticket right before the 1:30 show on the same day, so I really expected to be shoved away in a corner somewhere. Seat 301 in Row Y turned out to be dead center in the last row of the balcony. The central location was nice, but honestly I couldn’t see any facial expressions at all, and had I seen the show for the first time from this location, I would have been terribly lost. Still, I’m glad I saw it from this seat because there were a lot of amazing lighting effects I had completely missed from sitting on stage. Plus I kept hearing people whispering about “what all of those people are doing sitting on stage” and got to set them straight.
My view from the balcony. I've got to admit, it was pretty neat having like 75 stairs framing the way to the center of the stage in front of me.
February 17, 2009
Hanson Day '09 RSVP=Chaos
Official details were announced, and the initial plan was to have two sessions on Sat. May 16th, at 3 and 7 pm, with the possibility of a 3rd session if necessary. This works out perfectly because I'm out of school by this time, and it's still only about a week after my 21st, so I can still pass it off as a celebration. (It's also oddly creepy because I had a dream the event would be held on the 15th). With about 250 spots per session, I really didn't see a 3rd session being necessary, though it did begin to look like the 7 pm slot would fill up first. From what I remember, I don't think MONA or the Orlando event had to turn anyone down. Plus with MONA being an official recording, I just assumed it was more important and more people would be willing to travel for it. So I just assumed people would fight over the 7 pm session, it would fill up, and they'd be left with a smaller 3 pm crowd. I don't normally like being wrong, but this one I'll accept.
Here's the part where I plan to rub things in if you're of the opinion that Hanson fans are few and far between. RSVPs started being taken at 5 PM. Since I would be out of my room until at least 7, I had a friend RSVP for me on the off chance that the 7 pm session filled up quickly and I got separated from my friends. When I got back and checked hanson.net around 7:30, I was completely shocked to see that BOTH sessions were already maxed out (and as of today word is there are only about 120 spots left in the 3rd session, which is being held at 8 pm on May 15th). This means that 500+ people RSVPed in under 3 hours, and another number of people were placed on a waiting list. Not only that, but it's not like these 500+ people are all native Tulsans. No, they're from all over the country--heck, all over the world! And it's limited to fanclub members, so it's not even representative of all Hanson fans, just the pushovers that fork over $40 a year (no hard feelings; I'm one of them). Just think, if this many people would jump on the opportunity to trek all the way to Tulsa from various places, how many more are out there, right now, thinking "I love these guys, but I'm not going to Tulsa!" Lots, that's how many.
I think the song "Coming Back for More" is wildly appropriate at the moment, and not even just because my friends and I jokingly said we're "Coming back for Moe!" (MOE-->Members Only Event).
Edit/Update: Aaaand, as of today (2/18/09), the 3rd session is full and there are no plans for a 4th. That's 750 RSVPs in less than 72 hours, plus the amount of people stuck on a waiting list that didn't do it in time. Take that, someone else!
Here's the part where I plan to rub things in if you're of the opinion that Hanson fans are few and far between. RSVPs started being taken at 5 PM. Since I would be out of my room until at least 7, I had a friend RSVP for me on the off chance that the 7 pm session filled up quickly and I got separated from my friends. When I got back and checked hanson.net around 7:30, I was completely shocked to see that BOTH sessions were already maxed out (and as of today word is there are only about 120 spots left in the 3rd session, which is being held at 8 pm on May 15th). This means that 500+ people RSVPed in under 3 hours, and another number of people were placed on a waiting list. Not only that, but it's not like these 500+ people are all native Tulsans. No, they're from all over the country--heck, all over the world! And it's limited to fanclub members, so it's not even representative of all Hanson fans, just the pushovers that fork over $40 a year (no hard feelings; I'm one of them). Just think, if this many people would jump on the opportunity to trek all the way to Tulsa from various places, how many more are out there, right now, thinking "I love these guys, but I'm not going to Tulsa!" Lots, that's how many.
I think the song "Coming Back for More" is wildly appropriate at the moment, and not even just because my friends and I jokingly said we're "Coming back for Moe!" (MOE-->Members Only Event).
Edit/Update: Aaaand, as of today (2/18/09), the 3rd session is full and there are no plans for a 4th. That's 750 RSVPs in less than 72 hours, plus the amount of people stuck on a waiting list that didn't do it in time. Take that, someone else!
December 14, 2008
Going once, going twice, going three times, going four times...SOLD!
I was losing faith that my Spring Awakening ticket for NYC would sell since we're down to about 2 weeks before the show, and no one seemed set on buying it. Over the past 2 weeks, I've had 2 people contact me and say they were interested, but both were sparse in communication and ended up backing out. Then today, a third person contacted me, but backed out when I told him the price ($50--exactly what I paid). Around the same time I had been communicating with person #3, person #4 messaged me and seemed to be interested as well. I've talked to so many people I don't even remember that person's reason for backing out. Then person # 5 responded, within the same hour as persons 3 and 4, stating she wanted the ticket. As I'm finally working out the paypal details to sell to person #5, person #6 sends me an email with a phone number saying he's definitely interested as well. So the moral of this story is when it rains, it pours, though honestly I'd have totally deserved losing the $50 after I was stupid enough to accidentally buy a ticket to NY!
December 5, 2008
Spring Awakening--A Little Less Hanson, A Little More Crazy
Ok, so this is a little detour from Hanson. BUT, it still deals with me being a fool and not caring, specifically with traveling absurd amounts of miles to see a show. So, with that connection made, meet my newest obsession:
If you know nothing about it and care to educate yourself, wikipedia has a pretty good description.
Apparently I've been living under a rock for the past year or two because it's been around for a while and seems to have been wildly popular and won lots of awards, yet I never heard about it. I recently discovered it because I also recently discovered the awesomeness that is Kyle Riabko(who plays the lead, Melchior, in the play)--but that's another story.
At this point, it's pretty clear Hanson has successfully desensitized my traveling judgment. "Close" has more or less become an entirely relative term, only functioning in relation of the closest a given act (namely Hanson) comes to me. So while researching Spring Awakening, I decided I was interested in going to see it on tour, at it's "closest" stop to me, which turned out to be Tampa, FL, and really not that close at all as it is about a 9 hour drive from me. Aside from Hanson, I blame it on my dad, who never leaves his chair in our living room. Mom always complains that we never travel, but never really does anything about it. Well, I'm doing something about it. Who wants to sit around and read about something neat when you could be experiencing it for yourself? That's my rationalizing, anyway.
So I did what I've done before with seated Hanson concerts: I reasoned in my head that if I could get a good enough seat, it would be worth the trip. And when I got up early for school one morning and found the last on-stage seat available up for grabs, I jumped on it without too much thought, just so ecstatic at the thought of not only experiencing this play I've been obsessing over, but experiencing it from the side of the stage! Apparently, for this particular play, there are 26 on-stage seats (3 rows on the left, 2 on the right--if you're looking at the stage), literally just feet away from the action (think having a chair 8 feet off to the side of Isaac, or just behind Taylor's piano). And even cooler than that, the cast is mixed in with you; any time a cast member is not in a specific scene, instead of heading backstage, they head to a designated seat mixed in with the other audience seats on stage. So not only are you experiencing the play from the stage, you're sitting mixed in with the actors/actresses. Pretty cool!
Here's where things take a turn. I returned from school that day, still on a high over getting the last stage seat, with the intention of further researching stage seats and their awesomeness. I went back to my confirmation email to go to the theatre website and check out some shots of the stage when I saw it--in my crazy, sleep deprived excitement, I've somehow managed to purchase a ticket to the BROADWAY version rather than the TOUR version, quite possibly the biggest OOPS I've ever singlehandedly been responsible for. I kid you not, folks, I managed to accidentally spend $50 on a ticket to NY instead of FL, the complete opposite pole of the country!
After a day of freaking out, re-reading things over and over trying to make it somehow have been an error in reading rather than an error in judjment, it's clear the mistake is mine. This day is followed by another crazy day where I immediately post the ticket for sale, drive home for Thanksgiving break, and somehow decide in that 2 hour drive that it is reasonable for me to just fly to NY instead. Ha. So I went back, threw out an apology, and stated that I was going to try to go to the show. Two days and two angry parents later, I decided that really, going to NYC alone in December is probably not the best plan for me. I legitimately gave up on going to NYC and set out to sell the ticket (which, btw, hasn't gotten me very far--any takers??)
At this point I've wasted $50, proved to my parents that I am more crazy than they already knew, and had within my grasp and lost a pretty amazing seat. I don't give up so easily. I decided the simple solution was to sell the NYC ticket and purchase a ticket to Tampa for real this time. Slight problem--all of the good seats in Tampa are gone, and having had a stage seat in my hand, as well as my original rationalizing being that I could go if I had a great seat, it hardly seems worth it. So I dive into backup mode: I started thinking about futher off shows that have good seats left or have yet to go on sale, and what times of the year I have time off where I would be able to travel to see this show (And here I recognize another way Hanson has spoiled me--I now have a craving to constantly be up close and personal at shows). Spring break seems the most reasonable, and I find that the show will be in Cleveland, OH over my spring break.
Again, I decided if I could get an amazing seat, the trip would be worth it. After doing lots of research into the whole on-stage seating setup, I think I've got a good idea of what the best seats are. So lo and behold, I pull up on-stage tickets for Cleveland, and I somehow managed to pull up the exact ticket I had more or less idolizing in my head and seeing as unattainable, the one that in my opinion (speculation, of course, since I haven't experienced it) is the best seat on stage and elsewhere, for that matter. This seat is front row and the absolute closest to the front of the stage. After a little more cautious investigation this time, I finally do have a truly amazing seat and a more reasonable plan (though I do still have a NYC ticket I need to get rid of!!). Cleveland, here I come!
Here is a seating chart:
If you know nothing about it and care to educate yourself, wikipedia has a pretty good description.
Apparently I've been living under a rock for the past year or two because it's been around for a while and seems to have been wildly popular and won lots of awards, yet I never heard about it. I recently discovered it because I also recently discovered the awesomeness that is Kyle Riabko(who plays the lead, Melchior, in the play)--but that's another story.
At this point, it's pretty clear Hanson has successfully desensitized my traveling judgment. "Close" has more or less become an entirely relative term, only functioning in relation of the closest a given act (namely Hanson) comes to me. So while researching Spring Awakening, I decided I was interested in going to see it on tour, at it's "closest" stop to me, which turned out to be Tampa, FL, and really not that close at all as it is about a 9 hour drive from me. Aside from Hanson, I blame it on my dad, who never leaves his chair in our living room. Mom always complains that we never travel, but never really does anything about it. Well, I'm doing something about it. Who wants to sit around and read about something neat when you could be experiencing it for yourself? That's my rationalizing, anyway.
So I did what I've done before with seated Hanson concerts: I reasoned in my head that if I could get a good enough seat, it would be worth the trip. And when I got up early for school one morning and found the last on-stage seat available up for grabs, I jumped on it without too much thought, just so ecstatic at the thought of not only experiencing this play I've been obsessing over, but experiencing it from the side of the stage! Apparently, for this particular play, there are 26 on-stage seats (3 rows on the left, 2 on the right--if you're looking at the stage), literally just feet away from the action (think having a chair 8 feet off to the side of Isaac, or just behind Taylor's piano). And even cooler than that, the cast is mixed in with you; any time a cast member is not in a specific scene, instead of heading backstage, they head to a designated seat mixed in with the other audience seats on stage. So not only are you experiencing the play from the stage, you're sitting mixed in with the actors/actresses. Pretty cool!
Here's where things take a turn. I returned from school that day, still on a high over getting the last stage seat, with the intention of further researching stage seats and their awesomeness. I went back to my confirmation email to go to the theatre website and check out some shots of the stage when I saw it--in my crazy, sleep deprived excitement, I've somehow managed to purchase a ticket to the BROADWAY version rather than the TOUR version, quite possibly the biggest OOPS I've ever singlehandedly been responsible for. I kid you not, folks, I managed to accidentally spend $50 on a ticket to NY instead of FL, the complete opposite pole of the country!
After a day of freaking out, re-reading things over and over trying to make it somehow have been an error in reading rather than an error in judjment, it's clear the mistake is mine. This day is followed by another crazy day where I immediately post the ticket for sale, drive home for Thanksgiving break, and somehow decide in that 2 hour drive that it is reasonable for me to just fly to NY instead. Ha. So I went back, threw out an apology, and stated that I was going to try to go to the show. Two days and two angry parents later, I decided that really, going to NYC alone in December is probably not the best plan for me. I legitimately gave up on going to NYC and set out to sell the ticket (which, btw, hasn't gotten me very far--any takers??)
At this point I've wasted $50, proved to my parents that I am more crazy than they already knew, and had within my grasp and lost a pretty amazing seat. I don't give up so easily. I decided the simple solution was to sell the NYC ticket and purchase a ticket to Tampa for real this time. Slight problem--all of the good seats in Tampa are gone, and having had a stage seat in my hand, as well as my original rationalizing being that I could go if I had a great seat, it hardly seems worth it. So I dive into backup mode: I started thinking about futher off shows that have good seats left or have yet to go on sale, and what times of the year I have time off where I would be able to travel to see this show (And here I recognize another way Hanson has spoiled me--I now have a craving to constantly be up close and personal at shows). Spring break seems the most reasonable, and I find that the show will be in Cleveland, OH over my spring break.
Again, I decided if I could get an amazing seat, the trip would be worth it. After doing lots of research into the whole on-stage seating setup, I think I've got a good idea of what the best seats are. So lo and behold, I pull up on-stage tickets for Cleveland, and I somehow managed to pull up the exact ticket I had more or less idolizing in my head and seeing as unattainable, the one that in my opinion (speculation, of course, since I haven't experienced it) is the best seat on stage and elsewhere, for that matter. This seat is front row and the absolute closest to the front of the stage. After a little more cautious investigation this time, I finally do have a truly amazing seat and a more reasonable plan (though I do still have a NYC ticket I need to get rid of!!). Cleveland, here I come!
Here is a seating chart:
The seat I have now is AA4. And for swooning purposes, I just have to add that AA2 is where the lovely Kyle Riabko will be sitting (that is, when he's not wowing the audience on the actual stage, which is most of the time I'm sure). The seat I originally had for NYC was AA13. Translation--significant upgrade, and all is well again.
End Note: No worries, this is still a Hanson blog; don't expect this to be a regular occurrence. In March, though...expect some swoonage. Also, anyone wanna roadtrip, Hmm? March 6th?
End Note: No worries, this is still a Hanson blog; don't expect this to be a regular occurrence. In March, though...expect some swoonage. Also, anyone wanna roadtrip, Hmm? March 6th?
November 9, 2008
Catching Up Part 3: Charlotte & Falls Church 2008
Charlotte was originally supposed to be my last show of the tour, but you know how things go. Someone calls you less than a week away from a show, presents these really rational sounding reasons to go (like "Hey, let's go see Hanson in Falls Church!"), and BAM! You're accidentally driving 10 hours to see Hanson again. Oops.
I was really excited for this show because like I said, it was supposed to be my last of the tour, and it was also the show most of my friends would be at. Unfortunately, I had a Shakespeare midterm at 1:00 PM in Charleston the day of the show, and there was no way I could get out of that, so I had to miss the walk and be in line pretty late (same exact thing happened last year; that's what happens when they play the same place exactly a year
apart).
We all found each other and got in line a bit later, with the goal of heading to the balcony since we were so far back. I actually had a friend up at the front of the line who had camped out and had somehow managed to save #9 for me and have everyone around her ok with it, but I felt bad taking that spot so I didn't. We all ended up at the very front of the balcony, which had a pretty obstructed view because of the weird placement of the speakers. I couldn't see Isaac at all, but I thought it was a fair trade since even having been front row several times, I've never had such a clear view of Zac. I'm SO glad we were in the balcony instead of the crowd. I got really hot, I was feeling sick, and the guys didn't even hit the stage until around 11 PM, plus it was nice having room to dance. I actually left during Zac's solo of "Where Did it Start?" and got something to drink; I felt that terrible. It was nice to be able to sit on the floor between acts.
The setlist and show were amazing (but still does't come close to Asheville! which, btw, is still the best concert I've been to so far). It's so weird, because I was listening to MON on the way to Charlotte, and I started thinking how cool it would be to get to hear Thinking of You live, but then sort of brushed it off thinking it would never happen. So when I heard those opening chords, I went a little crazy and forgot how sick I was feeling. I know it's been played a few times on this leg at this point, but this was the first time they pulled it back out, so I really had no clue it was coming. It was exciting hearing Lay Me Down and Use Me for the first time, too. They played Never Let Go, which sent most people over the top in excitement. I hate to poop the party, but I've never really understood the big deal about that song, other than the fact that hearing it live is fairly "rare." Isaac gave some longish introduction about a song about being on the road, and I don't think any of us knew what it was leading up to. It turned out to be Leave the Light On, which was kind of exciting, and it was just the 2nd time they've played it live (I was there for the first time back in ATL '07, too). It was a pretty good show/setlist, and I enjoyed being in the balcony way more than I expected.
Luckily, being directly next to an exit had the slight benefit of getting a good spot by the bus after the show. I had absolutely nothing to get autographed, not even a ticket stub since these were e-tickets, so I decided to try for a picture. Zac was really awesome that night and from what I've heard, stayed out making sure he signed things and took pictures with just about everyone who was interested. So I got a picture with Zac, which is the only picture I've ever had with just me and a single Hanson. After seeing the picture, I decided that I look like a 12 year old and that I've sworn off headbands because of it, but I'd be lying if I said I wasn't wearing one right now.
I also got a picture with Austin, who was the only person from EBE I didn't snag a picture with in Louisville.
We had fun hanging out back in our hotel room knowing that it would be the last time we'd all be together for a while. Of course, we're all crazy, and I think the majority of us who had Charlotte as our "last show" ended up going to ast least one more. And just for the sake of randomness at its best, on our way back from Charlotte driving through rural parts of NC, we encountered a random Hanson sign which we had to stop and take a picture of, as well as an upside-down plastic cow with duct tape around its mouth.
Like I said, this was a spur of the moment trip. I always tell my parents everything, but part of me wanted to plot and try to go to either Chicago or the last few California shows, so I opted not to mention this random trip to Virginia because I knew it would hurt my chances to go anywhere else (side note--as it turned out, Chicago and Cali didn't work out). So I drove from Charleston to Myrtle Beach Monday afternoon, and we left for Falls Church as soon as I got there. We picked up another fan along the way and ended up in FC around 1 AM and were #s 28-30. Unfortunately, the low was in the 30's, and it was raining. We decided to brave it, and we pitched the only tent while everyone else stayed in their cramped (but dry) cars. It wasn't too bad in the tent, no worse than a car I'd say, with the added plus of being able to lay down. Unfortunately, Whitney's side of the tent started leaking at some point, and she had to go get in the car.
It was pretty cold the next day, and REALLY windy. We left the tent to go to starbucks at one point, and when we came back, the tent had moved a good 6 feet. I wore leggings under my pants, a long sleeve thermal shirt, a fleece pullover, a peacoat, a scarf, a hat, and gloves, and I was still cold. There were others in just sweatshirts. I'm a wimp when it comes to cold weather, I know. Whitney even took the walk wrapped in a blanket. The guys came out all bundled up for the walk, too, Isaac in a scarf and hat.
The walk was interesting, and at the last second I decided to remove my shoes and socks, which is an odd feeling when you're wearing a scarf and gloves. It was like walking on ice, and was more painful than I expected. The halfway speech was held in some random little grassy area with trees--not at all what I was expecting. As I was making my way into this area, I heard a familiar voice yell "Don't step in the poop!" and realized Zac was two people down from me, and we were indeed all headed for a surprise left by someone's puppy. The guys all stayed out, chatting with fans, taking pictures, and autographing things for a good bit after the walk, which is not something I've witnessed so far at any of my shows. I got really annoyed when I noticed Zac politely talking to one girl as she was completely ignoring what he was saying and posing next to him taking pictures while he was talking. We got through the walk registration line fairly fast, then moved on to clean our feet and find a bathroom. It felt weird leaving the crowd knowing the guys were still just wandering around, but I really didn't have anything to be signed or have anything specific to say (though I later kicked myself for not requesting Dancin in the Wind when I had the chance).
When we got inside, Whitney and I split up because she was set on being in the center (which meant 2nd row), and I was set on being in the front row, even if it meant being a bit blocked by the piano. I was extremely disappointed in the crowd around me during the opening acts, because no one around me seemed remotely intersted in them. One person near me even yelled "HANSON!" while Dave Barnes was talking, and I considered yelling "Dave Barnes!" back. I was happy to see the crowd liven up when Hanson came on stage, but I still feel like my part of the crowd was more dead than usual for being up front. I was really excited when they started playing "Take Our Chances," because I was behind Andi in line, and she told us she requested that song before we ever went inside. I knew wherever she was, she must be ecstatic. Fire on the Mountain electric was also really exciting for me, b/c it's probably my favorite Hanson song, and I've only ever heard it acoustic until this show.
After the show, we got in the car and took off because two of us had to be back in class the next day. So we drove all through the night, and I made it back to Charleston just in time to take a shower and a 30 min. nap in hopes of not passing out in class after having been awake for 2 days straight (if you think I can sleep in a tent, you're wrong). This was definitely one of the crazier things I've done for this band, but at the end of the day, I sleep way more often than I see Hanson, so I feel like it was worth the sacrifice.
Charlotte (Oct. 10, 2008)
I was really excited for this show because like I said, it was supposed to be my last of the tour, and it was also the show most of my friends would be at. Unfortunately, I had a Shakespeare midterm at 1:00 PM in Charleston the day of the show, and there was no way I could get out of that, so I had to miss the walk and be in line pretty late (same exact thing happened last year; that's what happens when they play the same place exactly a year
apart).We all found each other and got in line a bit later, with the goal of heading to the balcony since we were so far back. I actually had a friend up at the front of the line who had camped out and had somehow managed to save #9 for me and have everyone around her ok with it, but I felt bad taking that spot so I didn't. We all ended up at the very front of the balcony, which had a pretty obstructed view because of the weird placement of the speakers. I couldn't see Isaac at all, but I thought it was a fair trade since even having been front row several times, I've never had such a clear view of Zac. I'm SO glad we were in the balcony instead of the crowd. I got really hot, I was feeling sick, and the guys didn't even hit the stage until around 11 PM, plus it was nice having room to dance. I actually left during Zac's solo of "Where Did it Start?" and got something to drink; I felt that terrible. It was nice to be able to sit on the floor between acts.
The setlist and show were amazing (but still does't come close to Asheville! which, btw, is still the best concert I've been to so far). It's so weird, because I was listening to MON on the way to Charlotte, and I started thinking how cool it would be to get to hear Thinking of You live, but then sort of brushed it off thinking it would never happen. So when I heard those opening chords, I went a little crazy and forgot how sick I was feeling. I know it's been played a few times on this leg at this point, but this was the first time they pulled it back out, so I really had no clue it was coming. It was exciting hearing Lay Me Down and Use Me for the first time, too. They played Never Let Go, which sent most people over the top in excitement. I hate to poop the party, but I've never really understood the big deal about that song, other than the fact that hearing it live is fairly "rare." Isaac gave some longish introduction about a song about being on the road, and I don't think any of us knew what it was leading up to. It turned out to be Leave the Light On, which was kind of exciting, and it was just the 2nd time they've played it live (I was there for the first time back in ATL '07, too). It was a pretty good show/setlist, and I enjoyed being in the balcony way more than I expected.
Luckily, being directly next to an exit had the slight benefit of getting a good spot by the bus after the show. I had absolutely nothing to get autographed, not even a ticket stub since these were e-tickets, so I decided to try for a picture. Zac was really awesome that night and from what I've heard, stayed out making sure he signed things and took pictures with just about everyone who was interested. So I got a picture with Zac, which is the only picture I've ever had with just me and a single Hanson. After seeing the picture, I decided that I look like a 12 year old and that I've sworn off headbands because of it, but I'd be lying if I said I wasn't wearing one right now.
I also got a picture with Austin, who was the only person from EBE I didn't snag a picture with in Louisville.
We had fun hanging out back in our hotel room knowing that it would be the last time we'd all be together for a while. Of course, we're all crazy, and I think the majority of us who had Charlotte as our "last show" ended up going to ast least one more. And just for the sake of randomness at its best, on our way back from Charlotte driving through rural parts of NC, we encountered a random Hanson sign which we had to stop and take a picture of, as well as an upside-down plastic cow with duct tape around its mouth.
Falls Church (Oct. 28, 2008)
It was pretty cold the next day, and REALLY windy. We left the tent to go to starbucks at one point, and when we came back, the tent had moved a good 6 feet. I wore leggings under my pants, a long sleeve thermal shirt, a fleece pullover, a peacoat, a scarf, a hat, and gloves, and I was still cold. There were others in just sweatshirts. I'm a wimp when it comes to cold weather, I know. Whitney even took the walk wrapped in a blanket. The guys came out all bundled up for the walk, too, Isaac in a scarf and hat.
The walk was interesting, and at the last second I decided to remove my shoes and socks, which is an odd feeling when you're wearing a scarf and gloves. It was like walking on ice, and was more painful than I expected. The halfway speech was held in some random little grassy area with trees--not at all what I was expecting. As I was making my way into this area, I heard a familiar voice yell "Don't step in the poop!" and realized Zac was two people down from me, and we were indeed all headed for a surprise left by someone's puppy. The guys all stayed out, chatting with fans, taking pictures, and autographing things for a good bit after the walk, which is not something I've witnessed so far at any of my shows. I got really annoyed when I noticed Zac politely talking to one girl as she was completely ignoring what he was saying and posing next to him taking pictures while he was talking. We got through the walk registration line fairly fast, then moved on to clean our feet and find a bathroom. It felt weird leaving the crowd knowing the guys were still just wandering around, but I really didn't have anything to be signed or have anything specific to say (though I later kicked myself for not requesting Dancin in the Wind when I had the chance).
When we got inside, Whitney and I split up because she was set on being in the center (which meant 2nd row), and I was set on being in the front row, even if it meant being a bit blocked by the piano. I was extremely disappointed in the crowd around me during the opening acts, because no one around me seemed remotely intersted in them. One person near me even yelled "HANSON!" while Dave Barnes was talking, and I considered yelling "Dave Barnes!" back. I was happy to see the crowd liven up when Hanson came on stage, but I still feel like my part of the crowd was more dead than usual for being up front. I was really excited when they started playing "Take Our Chances," because I was behind Andi in line, and she told us she requested that song before we ever went inside. I knew wherever she was, she must be ecstatic. Fire on the Mountain electric was also really exciting for me, b/c it's probably my favorite Hanson song, and I've only ever heard it acoustic until this show.
After the show, we got in the car and took off because two of us had to be back in class the next day. So we drove all through the night, and I made it back to Charleston just in time to take a shower and a 30 min. nap in hopes of not passing out in class after having been awake for 2 days straight (if you think I can sleep in a tent, you're wrong). This was definitely one of the crazier things I've done for this band, but at the end of the day, I sleep way more often than I see Hanson, so I feel like it was worth the sacrifice.
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